The “SHHHH” sign in the Latitude Society receiving room
Today, I published a long article in Vice about the Latitude Society, a now-closed San Francisco art project that was developed by a company called Nonchalance. I loved the Latitude Society; it was one of the most brilliant, boundary-pushing, and genre-defying art pieces I have ever experienced. My article is intended to be both a critique and a celebration of the Latitude, and I poured my heart into it.
I’m proud of that article, but I had some narrative and space constraints while writing it. Here are some responses to questions people have asked me, which I wasn’t able to answer fully in the article. If you have questions, feel free to leave a comment or contact me on Twitter: @lydialaurenson.
The invitation card I received to the San Francisco House of the Latitude
Question #1: Did I talk to Jeff Hull in person after the Society closed?
I knew Jeff while the Society was running, and I worked on a couple of projects for Nonchalance (nothing big, so don’t give me too much credit!). As I explain in the article, I reached out to Jeff after he ended the project. I really think Jeff is brilliant, although I didn’t agree with all the decisions he made; I wanted to talk to him and get a better understanding of his perspective.
Jeff agreed to an email interview, and I sent him a whole bunch of questions. He answered three of the questions I asked. Here is his email to me, in full:
I think most of your questions were covered in either the Long Read piece or my epilogue on the Latitude site. [Note from Lydia: he’s referring to this article written by Rick Paulas for Longreads. Jeff also posted an epilogue on the Latitude website, which isn’t loading right now, so there’s a screenshot here.]
The only thing that wasn’t really covered was the future of the content (IP).
> – Are you thinking of using the IP for anything else?
Yes, the Storyworld of the Latitude will emerge in other mediums. The book will be released, and there’s talk of developing a fiction film, and potentially a VR interactive series. It’s a rich universe that people really connect with, so there is no limit to the applications of it.
> – Do you feel that anything about the Society should remain secret?
I don’t think any of the released material needs to be a secret. It’s out there already. But there was so much unreleased content, concepts, teachings, and experiences. People really only glimpsed a small fraction of what the world was. These elements remain hidden.
> – Are there any specific pictures or recordings that you would like to get out into the world?
I’m fond of The Walk of the Guardians. [Note from Lydia: The Walk of the Guardians is an audio recording, and a Society member named The Mister was kind enough to send me a copy. There is about a minute of audio instructions here, while the longer Walk of the Guardians can be accessed here. You can listen from anywhere.]
Otherwise, I do not have much to add that hasn’t already been covered. Hope it goes well, and let me know if there’s anything else I can help with.
I sent Jeff some followup questions, and he never got back to me. It’s clear that the Latitude Society experience was ultimately painful for Jeff, so I understand why he wouldn’t want to talk about it anymore.
Still, I’m truly sad that I wasn’t able to include more of his perspective in my article.